Dracula. Frankenstein's monster. The Invisible Man. The Mummy.
And, of course, the Wolfman.
These iconic monsters have evolved and adapted over time, defying singular interpretations while consistently terrifying audiences across generations. Recently, we've seen a new Dracula (in Nosferatu form) from Robert Eggers, Guillermo del Toro is crafting a fresh Frankenstein, and now writer-director Leigh Whannell presents his vision of the Wolfman.
However, how does a filmmaker like Whannell reignite modern audiences' interest in another werewolf film, particularly one centered on the Wolfman? More broadly, as Whannell notes, how do any filmmakers revitalize these classic monsters, making them both frightening and pertinent today?
Gather your torches, prepare your wolfsbane, sharpen your stakes—and hone your ability to decipher the metaphorical depths of monster stories—because we interviewed Whannell about the impact of classic monster cinema on his work, his approach to resurrecting beloved creatures like the Wolfman in 2025, and why you should be captivated!
